[ Modiya > Photography > Vernacular Practices ]
Readings
Attie, Shimon. Sites Unseen. Burlington, VT.: Verve, 1998.
Baer, Ulrich. Spectral Evidence : The Photography of Trauma. Cambridge, Mass.: MIT Press, 2002.
Berkowitz, Michael. The Jewish Self-Image in the West. New York: New York University Press, 2000.
Blair, Sara. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. Princeton, N.J.: Princeton University Press, 2007.
Blair, Sara and Jonathan Freedman. Jewish in America. Ann Arbor: University of Michigan Press, 2004.
Boltanski, Christian and Musée d'art moderne de la ville de Paris. Kaddish. München ; London: Gina Kehayoff, 1998.
Camhi, Leslie. "Picturing Palestine as a Worker's Paradise: Problematic Effort to Depict 'Jewish Race'." Forward, May 17, 1996, sec. C.
Dash Moore, Deborah & Moore, Macdonald. ""Observant Jews and the Photographic Arena of Looks."." in You should See Yourself, edited by Vincent Brook. New Brunswick, NJ: Rutgers University Press, 2006.
Didi-Huberman, Georges. Images Malgré Tout. Paradoxe. Paris: Minuit, 2003.
Francisco, Jason. Far from Zion : Jews, Diaspora, Memory. Stanford, Calif.: Stanford University Press, 2006.
Goffman, Ethan. "Between Guilt and Affluence: The Jewish Gaze and the Black Thief in "Mr. Sammler's Planet"." Contemporary Literature 38, no. 4 (Winter, 1997): 705-725.
Goodwin, George M. "A New Jewish Elite: Curators, Directors, and Benefactors of American Art Museums." Modern Judaism 18, no. 1 (Feb., 1998): 47-79.
Gruber, Samuel D. "Built Judaism: How Synagogue Photography Opens Worlds " The Jewish Daily Forward,2004.
Hirsch, Marianne. Family Frames : Photography, Narrative, and Postmemory. Cambridge, Mass.: Harvard University Press, 1997.
Hirsch, Marianne & Leo Spitzer. "What's Wrong with this Picture? Archival Photographs in Contemporary Narratives." Journal of Modern Jewish Studies 5, no. 2 (2006): 229-252.
Hornstein, Shelley, Laura Levitt, and Laurence J. Silberstein. Impossible Images : Contemporary Art After the Holocaust. New Perspectives on Jewish Studies. New York: New York University Press, 2003.
Hoskins, Andrew. "Signs of the Holocaust: Exhibiting Memory in a Mediated Age." Media, Culture & Society 25, no. 1 (January 2003): 7-22.
Hughes, Rachel. "The Abject Artefacts of Memory: Photographs from Cambodia's Genocide." Media, Culture & Society 25, no. 1 (January 2003): 23-44.
Huppauf, Bernd. "Emptying the Gaze: Framing Violence through the Viewfinder." New German Critique no. 72 (Autumn, 1997): 3-44.
Johnson, Nuala C. "Mapping Monuments: The Shaping of Public Space and Cultural Identities." Visual Communication 1, no. 3 (October 2002): 293-298.
Katzman, Laura. "The Politics of Media: Painting and Photography in the Art of Ben Shahn." American Art 7, no. 1 (Winter, 1993): 60-87.
Kitch, Carolyn. "`A News of Feeling as Well as Fact': Mourning and Memorial in American Newsmagazines." Journalism 1, no. 2 (August 2000): 171-195.
Kozloff, Max, Karen Levitov, Johanna Goldfeld, Jewish Museum, Madison Art Center, and Musée de l'Elysée. New York : Capital of Photography. New York; New Haven: Jewish Museum; Yale University Press, 2002.
Lathers, Marie. "Posing the "Belle Juive": Jewish Models in 19th-Century Paris." Woman's Art Journal 21, no. 1 (Spring - Summer, 2000): 27-32.
Lepkoff Rebecca, Suzanne Wasserman, and Peter Dans. Life on the Lower East Side: Photograph by Rebecca Lepkoff 1937-19502006.
Levin, Mikael, Meyer Levin, Eric Schwab, and International Center of Photography. War Story. Munich: G. Kehayoff, 1997.
Levitt, Laura. Ordinary Jews. New York: New York University Press, forthcoming.
Liss, Andrea. Trespassing through Shadows : Memory, Photography, and the Holocaust. Visible Evidence. Vol. 3. Minneapolis: University of Minesota Press, 1998.
Magelssen, Scott. "The Staging of History: Theatrical, Temporal and Economic Borders of Historyland." Visual Communication 2, no. 1 (February 2003): 7-24.
Mendelsohn, John. "Rescuing History: The Manhattan-Based Joint Distribution Committee Opened its Photo Archives to Eight Artists. the Result is a Highly Personal Reinterpretation of the Jewish Story." The New York Jewish Week, Feb 26, 1999, sec. 211.
Meyers, Oren, and Eyal Zandberg. "The Sound-Track of Memory: Ashes and Dust and the Commemoration of the Holocaust in Israeli Popular Culture." Media Culture & Society 24, no. 3 (May 2002): 389-408.
Naggar, Carole. George Rodger : An Adventure in Photography, 1908-1995. 1st ed. Syracuse, New York: Syracuse University Press, 2003.
Newbury, Darren. "‘Lest we Forget’: Photography and the Presentation of History at the Apartheid Museum, Gold Reef City, and the Hector Pieterson Museum, Soweto." Visual Communication 4, no. 3 (October 2005): 259-295.
Novak, Daniel. "A Model Jew: "Literary Photographs" and the Jewish Body in Daniel Deronda." Representations 85, no. 1 (Winter, 2004): 58.
Peters, John Durham. "Witnessing." Media Culture & Society 23, no. 6 (November 2001): 707-723.
Raskin, Richard. A Child at Gunpoint : A Case Study in the Life of a Photo. Aarhus: Aarhus University Press, 2004.
Reading, Anna. "Digital Interactivity in Public Memory Institutions: The Uses of New Technologies in Holocaust Museums." Media, Culture & Society 25, no. 1 (January 2003): 67-85.
Schiffrin, Deborah. "Language and Public Memorial: `America's Concentration Camps'." Discourse & Society 12, no. 4 (July 2001): 505-534.
Sekula, Allen. "The Traffic in Photographs." Art Journal 41, no. 1 (1981): 15-25.
Serlin, David and Jesse Lerner. "Weegee and the Jewish Question." Wide Angle 19, no. 4 (1997): 95-108.
Shapiro, Edward S. "World War II and American Jewish Identity." Modern Judaism 10, no. 1 (Feb., 1990): 65-84.
Shneer, David. "Picturing Grief: Where does World War II End and the Holocaust Begin?
."
Shneer, David. "When Photography Became Jewish:
how Russian Jews from the Provinces Documented a Revolution
and Gave Birth to Soviet Photojournalism
."
Silver-Brody, Vivienne. Documentors of the Dream : Pioneer Jewish Photographers in the Land of Israel, 1890-1933. Jerusalem; Philadelphia: Magnes Press, Hebrew University; Jewish Publication Society, 1998.
Snyder, Jill, Andrea Liss, and Freedman Gallery. Impossible Evidence : Contemporary Artists View the Holocaust : Melissa Gould, Ellen Rothenberg, Nancy Spero, Art Spiegelman : [Exhibition] Freedman Gallery, Albright College, Reading, Pennsylvania, November 4-December 18, 1994. Reading, Pa.: The Gallery, 1994.
Stone, Dan. "The Sonderkommando Photographs." Jewish Social Studies 7, no. 3 (2001): 132-148.
Struk, Janina. Photographing the Holocaust : Interpretations of the Evidence. London ; New York: I.B. Tauris, 2004.
Van Dijck, José. "From Shoebox to Performative Agent: The Computer as Personal Memory Machine." New Media & Society 7, no. 3 (June 2005): 311-332.
Wigoder, Meir. "History Begins at Home: Photography and Memory in the Writings of Siegfried Kracauer and Roland Barthes." History and Memory 13, no. 1 (2001): 19-59.
Woodward, Richard B. "Behind a Century of Photos, was there a Jewish Eye?" New York Times, Jul 7, 2002.
Zelizer, Barbie. "Finding Aids to the Past: Bearing Personal Witness to Traumatic Public Events." Media Culture & Society 24, no. 5 (September 2002): 697-714.
Zelizer, Barbie. Visual Culture and the Holocaust. Rutgers Depth of Field Series. New Brunswick, N.J.: Rutgers University Press, 2001.
Zeliger, Barbie. Remembering to Forget : Holocaust Memory through the Camera's Eye. Chicago: University of Chicago Press, 1998.
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